Monthly Archives: February 2012

So long, Davy Jones

February 29, 2012
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Davy Jones has died from a heart attack. He was 66.

One of my first obsessions with any television show was “The Monkees.” I think it was either VH1 or MTV (or both) that showed them incessantly at one point in the 1980s after it was found that Baby Boomers were finally old enough to feel and crave nostalgia. The show was perfect fodder for a child whose father was rearing him on The Beatles, combining fun and kitsch with genuinely great songwriting.

Of course, I was too young at the time to know or even listen to the cynical explanation of The Monkees as a crass commercialization of sixties culture. As I got older, the uber-cynical part of me actually embraced The Monkees through what some would see as the contrarian view that the project was no more manipulative or exploitative than most other acts from that era. If anything, one could argue they were in a very real way a bit more transparent than many of their “legitimate” contemporaries, in that while Mickey Dolenz aped being able to play the drums, they didn’t pretend to be anything they weren’t.

Then there was “Head.”

I actually didn’t see “Head,” The Monkees’ move to the big screen after the cancellation of their television show, until I arrived home at some absurd hour one weekend when I was 19 and turned on Turner Classic Movies. I’d never heard of it, even, and as I watched I kept mumbling to myself (in-between continued solitary imbibing) “what on Earth?” I woke up the next morning determined to see it again, but sober. It took eight years but it finally happened.  I adored how absurd yet honest it was. The film, co-written and co-produced by Jack Nicholson and Bob Rafelson, alternately lampooned and grappled with The Monkees’ role as corporate pitchmen with dadaist humor that went off the rails of the narrative but never became pretentious. It was self-aware but gorgeous, as shown in the video above (“The Porpoise Song.”).

It also highlighted the oft overlooked talents of the group, especially Davy Jones. What an incredible performer he was: charismatic, engaging, genuinely likable. He was such a small guy physically, but carried such a tremendous presence with him. And that voice! One of the things I’ve always felt but don’t think I’ve ever seen expressed is how earnest and believable he was when singing those songs. Of course it helped that he had people like Neil Diamond writing them (though fellow Monkee Michael Nesmith also wrote some tremendous stuff for them), but only Davey could have made the whole thing work.

The news of Davy Jones’ death legitimately bummed me out when I read it. So long, kid.

Featuring at Comic Syndrome this Saturday; listen to an interview from last week’s Alternative 2 Sleep

February 28, 2012
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A quick reminder that THIS SATURDAY NIGHT  I’ll be featuring for Gina Brillon at Comic Syndrome (Savannah’s; 1 South Pearl St., Albany NY).

Tickets for the event are $15; $25 for a ticket and a three course meal. Facebook event invite is HERE.

As a bonus, here’s a quick interview I did last Thursday with Ethan Ullman for his Alternative 2 Sleep program.

Rick Santorum vs. education: where have we heard this before?

February 27, 2012
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“President Obama once said he wants everybody in America to go to college. What a snob,” said the former senator from Pennsylvania. “There are good, decent men and women who go out and work hard every day and put their skills to test that aren’t taught by some liberal college professor to try to indoctrinate them. Oh, I understand why he wants you to go to college. He wants to remake you in his image.”

- Rick Santorum this past weekend in a speech given at a Detroit rally (The Washington Post)

This sort of batshit populism seems familiar somehow…

The intellectual forces of the workers and peasants are growing and getting stronger in their fight to overthrow the bourgeoisie and their accomplices, the educated classes, the lackeys of capital, who consider themselves the brains of the nation. In fact they are not its brains but its shit.

- Lenin in a 1918 letter to Maxim Gorky.

Huh. What do you know. Wait, there’s also…

“Fascism combats…not intelligence, but intellectualism…which is…a sickness of the intellect…not a consequence of its abuse, because the intellect cannot be used too much…it derives from the false belief that one can segregate oneself from life…”

— Giovanni Gentile, addressing a Congress of Fascist Culture, Bologna, 30 March 1925

I’m noticing a pattern…

“The youthful brain should in general not be burdened with things ninety-five percent of which it cannot use and hence forgets again… In many cases, the material to be learned in the various subjects is so swollen that only a fraction of it remains in the head of the individual pupil, and only a fraction of this abundance can find application, while on the other hand it is not adequate for the man working and earning his living in a definite field.”

- Adolf Hitler, Mein Kampf

OH C’MON. We can’t…we can’t evoke Hitler. Even though it fits. We just can’t.

But it is disturbing, isn’t it? And apt. I’m not saying Santorum is Hitler. Of course I’m not. I am saying that anti-intellectual and anti-science attitudes are often cornerstones of authoritarian beliefs. It’s the shared link between fascist dictatorships and totalitarian Soviet-style communist governments and betrays the true nature of both: that despite all pretenses, the sole philosophy is destruction and power at any cost. No body, government, or civilization has ever improved when such aggressive attitudes have been taken against something as beneficial as education. Rick Santorum is not a monster, per se, but his position and poll numbers should frighten anyone with half a brain, regardless of their political leanings.

Isaac Asimov put it best:

“Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge.’

Couldn’t have said it better.

Oscar – harkening back to yesteryear with rose-tinted glasses and blackface

February 27, 2012
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The Academy Awards have never been stalwart protectors of fine art, but it seems to have degraded and become more shameless over time, particularly with its penchant for rewarding films that have little to no artistic merit or message other than being “a love letter to movies.” As if the inundation of montages for the sake of montages weren’t bad enough, we now have awards given to films that say only “movies were great and still are.” The Academy has become an old man, his left hand pressed against the looking glass while furiously masturbating with his right hand, squinting so that he can remember what he used to look like. In short, nearly obscene and absurdly pathetic.

The worst, though, was Billy Crystal rolling out his blackface Sammy Davis, Jr. routine that I’m still trying to figure out how he got away with in the eighties (I figure it might have something to do with the fact that the rest of the all-white Rat Pack would beat up on Sammy with racist jabs while others disowned his blackness because of his Jewish conversion). But in 2012, it’s every bit as inexcusably ignorant and stupid under the guise of false context as the second appearance of the racist African jungle men in this year’s Best Picture winner “The Artist.”

Comedian Paul Scheer put it best when Octavia Spencer won the Best Supporting Actress award for “The Help,” tweeting “Octavia Spencer’s win shows just how far we’ve come since Billy Crystal performed in Blackface.”

Yes, this year’s Oscars telecast did harken back to yesteryear. For all the wrong reasons.

My biggest break yet as a comedian: featuring next Saturday at @ComicSyndromeCC for headliner @GinaBrillon! C’MON!

February 26, 2012
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It gives me no shortage of pride, gratitude, and appreciation to announce what is in my young career my biggest moment yet in stand-up comedy.

Next Saturday (March 3rd), I will feature for Comedy Central vet and NYC stand-out Gina Brillon at the Comic Syndrome Comedy Club (Savannah’s on South Pearl Street in downtown Albany).

Tickets are $15 for the show / $25 for the show AND a three course meal. Doors open at 7:00pm, with the show itself starting at 7:30pm.

If you’re going to make one show this month, make this IT.

Human Rights Watch and the difference between rights and democracy

February 24, 2012
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An open letter was penned to Kenneth Roth of Human Rights Watch and signed by seventeen womens’ rights organizations, calling out the organization for its excuses and double-talk they give in regards to theocratic political organizations that advocate and institute oppression against women and gays.

From the New York Review of Books’ blog:

You say, “It is important to nurture the rights-respecting elements of political Islam while standing firm against repression in its name,” but you fail to call for the most basic guarantee of rights—the separation of religion from the state. Salafi mobs have caned women in Tunisian cafes and Egyptian shops; attacked churches in Egypt; taken over whole villages in Tunisia and shut down Manouba University for two months in an effort to exert social pressure on veiling. And while “moderate Islamist” leaders say they will protect the rights of women (if not gays), they have done very little to bring these mobs under control. You, however, are so unconcerned with the rights of women, gays, and religious minorities that you mention them only once, as follows: “Many Islamic parties have indeed embraced disturbing positions that would subjugate the rights of women and restrict religious, personal, and political freedoms. But so have many of the autocratic regimes that the West props up.” Are we really going to set the bar that low? This is the voice of an apologist, not a senior human rights advocate.

I couldn’t agree more. Read more »

Frances Farmer and why the truth is always more intriguing

February 23, 2012
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I read a thoroughly entertaining and engaging essay by Matt Evans for The Morning News on the legend of Frances Farmer during one of my breaks from work this morning and was struck by how often tragic fantasies obscure what I feel are the grounded yet infinitely more compelling real-life tragedies.

From the essay, titled Burn All the Liars (taken from Nirvana’s ode to Farmer from their ’94 album “In Utero”):

This idea of Frances as, I guess, some chewed-up Barbie doll tossed into life’s Goodwill box is, in the spirit of Professor Harry Frankfurt’s philosophical treatment of bullshit, On Bullshit, bullshit. Arguably, Frances, although damaged by her repeated institutionalizations, saw her best and happiest years after This Is Your Life. Happy years cut short only by the sad-but-predicable effects of a lifelong cigarette habit.

Despite the assertions of a hack critic turned faux biographer and a Hollywood film heavily influenced by the lies he peddled, Farmer was not routinely molested by cartoonish villains in an Asylum until she was lobotomized into a lifeless husk that aimlessly roamed the Earth for three decades after. The truth is more spectacular, more life-affirming, more depressing, and yes, more tragic. It’s full and complicated, which sometimes makes it hard to fit into a two-hour narrative or in words that a person can grasp with just a passing glance.

Harder, but not impossible, which is why it’s always worth it to put in the extra bit of work to find the truth. It doesn’t matter if you’re telling the story or absorbing it. It’s always, for the sake of art and truth, worth it in the end to find out what really happened. It’s always more fascinating and only serves to enhance the story. Though she was still in many ways a victim to outside parties and circumstance, she was not a victim of a lobotomy. Nor did she have outside forces conspiring against her. It seems, rather, that despite all the unfairness that needs to be noted when discussing her treatment, Farmer was her own greatest enemy. Or, it might be more appropriate to say, her greatest enemy was the disease of alcoholism, which like with so many of us, gripped her through her ascension, her decline, her pitfalls, and ultimately made all of them worse and contributed to her tragic story.

 

READ: Burn All the Liars by Matt Evans (The Morning News)

March stand-up performance dates announced

February 22, 2012
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I have several dates confirmed for March with two others that should be announced within the week.

It’s going to be a busy March. Buckle up, kids.

 

TUESDAY, MARCH 6th 9:00pm
MICHAEL RAIVE featuring FRANK GENTILE
Hosted by KEVIN MARSHALL
Cost: FREE
@ Pinto & Hobbes (142 Washington Ave., Albany)

 

SUNDAY, MARCH 11th 5:00pm
CARLISLE CAREY w/s/g KEVIN MARSHALL
@ Bat Shea’s (95 Ferry St., Troy NY)

 

FRIDAY, MARCH 16th 8:30pm
THE ROAST of JENNIFER McMULLEN (from Fly 92)
w/ KEVIN MARSHALL, SANDY BEACH, LUKE DONOVAN, & MORE
Cost: ???
Waterworks Pub (Central Ave., Albany)

 

FRIDAY, MARCH 30th 8:30pm
KEVIN MARSHALL & FRIENDS
w/s/g TBA
benefit for the Leukemia & Lymphoma Society
Cost: $10
Drink specials all night long!
@ Waterworks Pub (Central Ave., Albany)

More anti-love for “The Artist”

February 21, 2012
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Looks like I’m not the only one that’s a bit perturbed at the adulation “The Artist” has received this awards season. From film critic Jeffrey Wells’ Hollywood Elsewhere blog:

I’m trying not to pay too much attention to this or give it too much weight, but when I do think about it I get a little bit sick. It’s 1953 all over again, and we’re about to give the Best Picture Oscar to The Greatest Show on Earth.

The Artist is a 2011 version of That’s Entertainment! in a silent, black-and-white mode with a strong narrative assist from A Star Is Born and Singin’ in the Rain.

Echoes a lot of my feelings on the film. Charming? Sure. But it’s way too derivative, twee, and self-congratulatory (not to mention a bit backwards and weird in its romantic themes) to warrant “Best Picture” consideration.

It’s popcorn. Nice to have at a theater, but not something I’d dare accept as a substitute for sirloin.

Previously: on French nostalgia for Western film and zombies

The Knick Ledger’s “30 Under 30″

February 17, 2012
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The Knick Ledger has released a list of its “30 Under 30″ in the Capital Region. Among the honorees are my longtime friend Danielle Sanzone (journalist currently with the Troy Record), musician Olivia Quillio, and…Kevin Marshall?!

YOU’RE GODDAMN RIGHT!

Thanks to the Knick Ledger for the honor.

For the full list, click here.

NOTE: because of tonight’s event cancellation, I urge all of you to check out Laughs AGainst L&L at The Egg to raise funds for the Leukemia & Lymphoma Society. Starts at 7:30pm, tickets are $20, and there’s like a bazillion comics.